Only By The Night

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Editorial Review

Already on course to be one of the year's biggest sellers, Only By the Night has sealed Kings of Leon's unlikely position as Britain's favourite American rock band. The Followill brothers (and cousin) have always been tagged as part of a southern rock tradition of family bands such as the Allmans and Lynyrd Skynyrd, a label they vehemently refuted. But the skinny lads certainly looked like a classic rock act, even as they took musical inspiration from indie contemporaries The Strokes and eighties new wave acts such as The Cure and New Order. Only By the Night is effectively a sequel to 2006's terrific Because of the Times, their third record and the first where they nailed their own sound, a striking amalgam of bluesy vocals and post-punk primitivism. In comparison Only By the Night consolidates rather than advances their style. The appropriately incoherent "Sex on Fire", already a chart topping single, is catchy but sounds lightweight next to songs like the fierce "Crawl" and the stadia-ready "Cold Desert" and "Manhattan". The dissonant, almost amateurish "17" is most out of place, though Caleb Followill still bawls it with the same passion he brings to even the clumsiest couplet. More notable are several sparse romantic pleas that often borrow licks from classic Southern soul. The yearning "I Want You" is little more than its title, but it certainly convinces, while "Revelry" and the vulnerable "Use Somebody" show signs of impending maturity. Only By the Night's simplicity certainly has a wide appeal. --Steve Jelbert

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