The Mummy [1999]

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Editorial Review

For his breakthrough into the blockbuster big time, director Stephen Sommers (Deep Rising) was determined to avoid the hackneyed Hollywood Mummy clichés of flailing bandages, somnambulant zombies and wooden acting. If you're happy to settle for two out of three then the finished film could be your cup of Egyptian tea, fully delivering on its visual promise, but occasionally mired in a quicksand of stilted dialogue and plot contrivance.

When disgraced high priest Imhotep (Arnold Vosloo) is awoken from his ancient prison, he unleashes his vengeful wrath in a whirl of computer-generated pestilence and plagues, all devised by the effects wizards at George Lucas' Industrial Light and Magic. No gory detail is spared as the mummy sets about rebuilding his decayed body and reviving his forbidden lover, aided by hordes of swarming, flesh-eating scarabs and an army of the dead. Among the more human cast, Brendan Fraser (Blast from the Past, George of the Jungle) brings an infectious Boys' Own enthusiasm to his Indiana-Jones-style adventurer, while such supporting players as Rachel Weisz and John Hannah are mostly eclipsed by the spectacle on offer. Ultimately, The Mummy is great fun and offers digital thrills ideally suited to the DVD format which will wow even the most CGI-sated viewer.

On the DVD: commendably, the extras on this DVD are on a par with the Region One offering, including deleted scenes and director's commentary, and both picture and sound quality are excellent. Most interestingly, veteran ILM effects supervisor John Berton presents step-by-step guides to some of the film's most extraordinary CGI shots, from early animatics to 3-D modelling and compositing. There's also the obligatory "making of" programme, in which everyone insists their primary concern was to ensure the effects never superseded the story. Unfortunately, this only makes you more aware of the script's shortcomings. --Steve Napleton

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