Rec [2007]

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Editorial Review

Rec starts with a good, solid, straightforward idea. Its plan? To focus us on TV reporters, who are following a group of firemen as they go about their shift. Said shift, however, doesn’t quite go to plan, as what starts as a seemingly standard rescue mission soon takes a disturbing, chilling turn, and this sets the scene for a very effective horror film.

One of the reasons why Rec works so well is the manner in which it’s shot. It’s not the first film to adopt the handheld shooting style, and indeed there have been many clichéd attempts to follow the success of The Blair Witch Project and Cloverfield. Yet the style suits Rec well, with the photography less a gimmick, and more a legitimate storytelling device.

It’s fair to say that Rec is a dish best served cold, so it’d be unfair to expand on the plot. However, be in no doubt that the mix of psychological creepiness and outright horror is very good, making the most of the claustrophobic surroundings, and wisely sidestepping many of the pitfalls of the genre. It has one or two problems, but it’s hard to quibble too much when the main feature works as well as this low-key, yet ultra-effective film does. --Jon Foster

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